Wolf Huber, German (active Passau), c. 1485-1553 – Portrait of Margaret Hundertpfundt

Philadelphia Museum of Art

Philadelphia Museum of Art – Wolf Huber, German (active Passau), c. 1485-1553 -- Portrait of Margaret Hundertpfundt

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- Jules-Adolphe-Aimé-Louis Breton, French, 1827-1906 -- The Feast of Saint John

- Claude Monet, French, 1840-1926 -- The Zuiderkerk, Amsterdam (Looking up the Groenburgwal)

- Claude Monet, French, 1840-1926 -- Waterloo Bridge, Morning Fog

- William-Adolphe Bouguereau, French, 1825-1905 -- The Thank Offering

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- Lovis Corinth, German, 1858-1925 -- Portrait of Sophie Cassirer

- Mariano Fortuny y Carbó, Spanish, 1838-1874 -- Arab Chief

- Domenico di Bartolo (Domenico di Bartolo Ghezzi), Italian (active Siena and Perugia), first documented 1420, last documented 1444-45 -- Virgin and Child

- Marie-Rosalie Bonheur (also called Rosa Bonheur), French, 1822-1899 -- Barbaro after the Hunt

- Dosso Dossi (Giovanni de’ Luteri), Italian (active Ferrara), first recorded 1512, died 1542 -- Portrait of a Gentleman

- Eastman Johnson, American, 1824-1906 -- Barn Swallows

- Mary Stevenson Cassatt, American, 1844-1926 -- In the Loge

- Eugène Fromentin, French, 1820-1876 -- Arabian Shepherd (Shepherd: High Plateau of Kabylia)

- Master of Messkirch, German, active 1520-1540 -- Saint Agatha

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Wolf Huber, German (active Passau), c. 1485-1553 -- Portrait of Margaret Hundertpfundt. Philadelphia Museum of Art 画中这位神情肃穆的女性侧身伫立，目光沉静地望向画外。她身着深色方领长裙，胸前与腰间点缀着精致的金色饰扣及饰有金属扣带的腰带，尽显服饰的考究。最引人注目的是她头上包裹严整的白色头巾，后方垂下的部分带有橙褐色条纹，既显端庄又具鲜明的时代特征。人物身后右侧是一面红砖墙，墙上镶嵌着一块刻有文字的石板或木板，为画面增添了纪实的意味；左侧则透出开阔的天空与远处的建筑轮廓，暗示了空间的存在感。光线从左侧柔和地洒下，细腻地勾勒出她面部的立体轮廓与头巾的织物质感。整体构图稳重，色彩对比鲜明，人物流露出的沉稳气质仿佛诉说着岁月的沉淀与内在的力量。